At the beginning of 1914 Antonio Sant'Elia, the principal architecture, he published his Manifesto of Futuristic architecture, which sets out the principles of this current.
All projects created by these relate to the city of the future, with particular attention to innovations. In contrast to classical architecture, seen as static and monumental cities idealized by architects futurists have as a fundamental characteristic the movement and transport.
The Futurists, in fact, immediately understood the central role that transport would take later in the life of the city. In projects of this period are sought developments and aims of this news. The futuristic utopia is a city in perpetual change, agile and mobile in all its parts, a continuous construction site, and the Futurist house in the same way is impregnated with dynamism.
The use of elliptical and oblique lines symbolizing rejection of this static to a more dynamic projects futurists, without a symmetry classically understood. The Futurist anticipates the major themes and visions of architecture and city that will own the Modern Movement, although the Italian Rationalism you will lose a little 'between the diatribe of neoclassicism simplified by Marcello Piacentini and the purity of Giuseppe Terragni and not able to have the same momentum innovator, while his poetry expresses a part Angiolo Mazzoni.